Events

 

Words on Paper

 

“Words on Paper” is series of paintings that form a fractured narrative. I have written several poems that create a dialogue with the paintings. In a way, I think of each painting as a poem. I have used variations and repetitions of seven images: a human hand, a human heart, a bird falling from the sky, a man of sorrows, a light bulb, the sky, a leaf. Each image is specific, personal, intimate, private. At the same time, each image is accessible, part of the universal landscape, evokes thoughts and emotions independent of the realm of the “personal.” Each image is part of the lexicon of the everyday language of the world. Into each of the paintings, I have inserted fragments of poems. In some cases, the fragments are quotes from someone else’s writing that is known only to me. The poems themselves remain beyond the reach of the reader and yet they remain a large presence. In some instances, the poems form a sort of frame for the paintings—but in most instances, the words become yet another image.

The question remains: Is the poetry re-interpreting the images or are the images questioning the representational claims of language?

 

"Words on Paper" Art Exhibition: Sept 1 to Sept 30

El Paso Public Library  Downtown 

Words and images working together to form a meditation on the artist's relationship to the world around him





Mountains & Plains Booksellers Association

Crown Plaza Hotel, Denver, Colorado

5:30 pm, Friday, Sept 25

Presenting LAST NIGHT I SANG TO THE MONSTER



 Saturday, Sept 26 @ 2 p.m.

The Dog Who Loved Tortillas

Bookworks, Albuquerque

 Saturday, Sept 26 @ 2 p.m.

The Dog Who Loved Tortillas

 



Children's Book and Author Celebration

Historic Pearl Stable, San Antonio

Sat., Oct. 3 @ 10 a.m.

reading: The Dog Who Loved Tortillas

San Antonio-Express Book Fest

Children's Book and Author Celebration

Historic Pearl Stable, San Antonio

Sat., Oct. 3 @ 10 a.m.

reading: The Dog Who Loved Tortillas




News 

The Book of What Remains

 

A book of poems forthcoming from Copper Canyon Press, March 2010

A Perfect Season for Dreaming 

-2008 Paterson Book Prize, Best Children's Book

-2008 Austin Public Library Best Children's Book of the Year (Texas Institute of Letters)

-Kirkus Review Best Children's Books of the Year (2008)

He Forgot to Say Goodbye 

-The Tomas Rivera
  Book Award 2009
-2008 Southwest
  Book Award (Border Area Librarians Association)
-Chicago Public Library 2008,
  Best of the Best Books for Teens
-New York Public Library Stuff for the Teen, 2008 

 

benjaminaliresaenz.com

       

Waking

Some days I wake

and am afraid

that the sky is

so angry that finally

it will decide

to swallow us whole

so that it can 

know silence again

 
 
 
Cinco Puntos Press has just released Last Night I Sang to the Monster
 

Benjamin Alire Saenz's most devastating and exquisite novel to date . . . .

Last Night I Sang to the Monster, with it's impressive characterizations     

and heart-wrenching  storyline, is the must-read novel of the year.             

    --El Paso Times

 

 Zach’s first-person voice is  compelling  and  heartbreaking.   Sáenz’ poetic

narrative will captivate readers from the first sentence  to the last paragraph

of this  beautifully written novel,  which explores the painful journey of an

adolescent  through the labyrinth of addiction and alcoholism.                    

               --Kirkus Reviews                  

 
The Boy and the Monster

 

1.
The boy is reading to the monster. He is like Scheherazade. He will read a story every night—read and read until the monster falls asleep. And the boy will live one more day. He will live this way forever.
 
2.
The boy’s name is Rafael. He is seven. He could be five or six or eight. But right now, he is seven. When he grows up, he will become a writer though no one suspects this—not even the boy.
 
There will be many monsters in the stories he will write.
 
3.
The boy reads the story of his life to the monster but he leaves certain things out of the story. He is afraid of making the monster angry. If the monster gets angry, something very bad will happen. The boy decides that the monster prefers happy stories about happy boys so the boy makes up a happy story about himself. He becomes an expert at telling happy stories. He is certain the monster likes the stories. He is certain.
 
4.
As the boy grows older, the monster comes to him—mostly at night. The monster is insatiable for stories. The boy, who is now almost a man—but who remains a boy—keeps telling stories to make the monster happy. Somewhere inside of him the man who is still a boy knows that the monster will never be happy.
 
But he continues reading the stories he writes for the monster.
 
5.
Sometimes, Rafael doesn’t feel like reading his stories to the monster. He is tired. There are nights when the monster stays away, and he thinks or hopes or wants to believe that the monster has gone away. Sometimes the monster stays away for weeks and months and Rafael starts to believe that he is free. He prays that the monster is dead.
 
But the monster always comes back.
 
6.
The boy has now become a man (but really still a boy). Reading to the monster is driving him insane. He begins to drink. He has always liked drinking but now the drinking has become his consolation. He drinks and drinks as he reads his stories to the monster. He knows now that he has always hated the monster. He wonders what would happen if the monster discovered the truth. He feels as if his heart is on fire. The hurt is becoming impossible to bear.
 
But the drink is good and helps him get through the story when the monster comes.
 
7.
Rafael, the man who is still a boy, is starting to get old. His hair is turning white and he wears the look of a man who has learned how to whisper the word suffering as if it were a prayer. He has forgotten words like happiness and joy. He laughs but the laughter is hollow. Only the tears are real.
 
He wonders why he has a monster. He wonders why he has surrendered to him.
 
8.
He thinks to himself: “What would happen if I stopped reading to the monster? What would happen if I read him a real story—a story about a boy who was damaged and hurt and kept wounds in his body like treasure? What would the monster think about that story? What would the monster say if he told him: I don’t want to tell you any more stories about boys. I want to tell you a story about Rafael who wants to cross the border and enter a country called manhood. It is a hard and difficult and beautiful country. Do you understand that, monster?
 
Tonight, when the monster comes, he will tell him the story he has wanted to tell all his life.
 
9.
It is dark outside. The night has come again, but he is not afraid. It is a strange thing for him not to feel the fear. He feels naked. But he thinks it is not such a bad thing to feel his body, to feel his arms and his legs and his chest and his hands and his heart. He is sitting on his bed. He does not need a drink.
 
He will not drink. He is waiting for the monster to come so he can tell him his story.

 

 
 
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